On the arid coastal plains of Southern Peru lie the cultural markings of the great Nazca people from thousands of years ago. With the rise of air travel in the 1920’s, researchers discovered giant desert markings that have become "one of the most baffling enigmas of archaeology." Now known as "Nazca Lines," these markings were large figures and lines constructed on the desert surface, with some images over 300 feet long.. The figures were often drawings of animals, fish, birds, geometric designs and even anthropomorphic images. Like the great mystery of the Egyptian pyramids, these drawings have continued to puzzle researchers-from the massive size to the ambiguous meaning. This discovery thrust public spotlight on the Nazca people, whose culture has been preserved by the same conditions that may have led to their demise: the arid desert climate.
Between 200 BC and AD 600, the Nazca people produced textiles and ceramics that were amazingly artistic and surprisingly technical. Due to the arid climate, many of these objects were perfectly preserved in their original state and continue to inspire awe all across the globe. They even invented a technique of mixing a dozen mineral pigments in a thin wash of clay so that colors could be baked directly into pottery. This society also constructed large pyramids and developed a highly complex system of underground canals. However, it was the discovery of the massive geoglyphs that earned the Nazca people their notoriety. Even though geoglyphs have been found in other regions, none compare to the vast scale of the Nazca Lines.
These desert markings are created by simply removing a layer of darker stones on the ground, exposing the lighter sand beneath. They have survived largely due to the lack of rain. We know who did them and mostly how, but researchers have yet to discover why. They have been explained as settings on an astronomical calendar, Inca roads, irrigation plans and, most incredulously, as landing strips for alien ships. However, the lines have long been associated with water, which was crucial to the survival of the Nazca people. The Nazca culture was built upon the parched valleys of Southern Peru and the people seemed to move east or west along the rivers as rainfall patterns shifted. Water was always a critical problem because the Nazca River can be completely dry for several months to several years at a time. It is believed that the Nazca society collapsed at the end of the 6th century when the aridity culminated and water became detrimentally scarce.
Renowned researcher Johan Reinhard interprets the lines as sacred gathering places directed towards the deities, especially the Water Gods. The images may have been so large partly because deities were believed to dwell on mountain tops. Even today, offerings for rain in Peru are made to the mountains. Researchers found sea shells and ceremonial drinking vessels at some of the geoglyphs, especially at mounds of stones found on the lines. Reinhard explains that stone mounds were used as places for making offerings to mountains and were often perceived as representing the mountains themselves. This theory connecting the Nazca Lines to water/mountain rituals is further supported by the symbolism behind the images, such as birds, insects and oceanic creatures.
Images of birds are common figures in the Nazca Lines. Even today, the sighting of a heron, pelican or condor is interpreted as sign that it will rain in the mountains. The condor specifically is largely believed to be the materialization of the Mountain Gods. Hummingbirds are sometimes considered intermediaries with or manifestations of Mountain Gods. The sea birds, such as the heron or pelican, are clearly associated with the ocean.
Animal and insect figures were also common among the images. The monkey and lizard may have been symbols of water because they are associated with places where water is available. Furthermore, when lizards come out it is commonly interpreted as a sign that rain is coming. Spiders and millipedes also
appear shortly before it is about to rain. The large marine creatures, such as the shark or whale, have an obvious connection to the water-giving ocean. Foxes were believed to be the "dogs" of Mountain Gods and it was common for the Incas to tie dogs outside to howl until the Weather God sent rain. All of these symbolisms point to ritual offerings to the Gods praying for rain.
There is also evidence that the Nazca Lines were used for ceremonial processions, as a stage for sacred walks. Some researchers believed that as the population rose and more people participated in the rituals, the geoglyphs took on more open, geometrical patterns. Some trapezoids even stretched farther than 2,000 feet. Data also shows that trapezoids and other geometric shapes were created in places where they could be viewed from a number of vantage points, so many people could observe.
Although many cultural relics from the Nazca society have been preserved, there remains a significant lack of historical information dating to the time the geoglyphs were made. Researchers have been able to piece together hypothetical world views based on images found on pottery, drawn in the sand and woven into textiles, but there exists only objects. There are no written accounts from this time or any other unambiguous data. It is clear that the precise nature and meaning of the Nazca Lines will never be known, nor will the whole story of these amazing people ever be told. However, their enigmatic lines and artistic cultural productions will always be a source of inspiration for designers across the world.
Read more in travel writer Rodney Dodig's account of his trip to see the lines: The Nasca Lines: An Incredible Fly-Over
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